Effective Date (last update): October 30th, 2026 @ 14:58pm UTC+2

quasi natura, nomen sibi dedit: Earth; sui tou-nomini: Milky Way, galaxy

2026-10-30T14:58:XX.XXX+02:00

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Music: Resources & Downloads

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Are you self-taught?—Well this entire resource-page is most definitely for you!

This guide is a complete cheat-sheet: but you’re going to have to commit to the relevant parts! No non-sense; all my secrets!

—Look for “CHEAT SHEET”, when seeking out tips—

—Otherwise, look for “RESOURCES”, when seeking out videos or links & activities—


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Sections:

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1. Singing Resources

2. Piano & Midi: “The 'Plan'”

3. [Music Production] Digital Audio Workstation (DAW)—Resources & Plugins

4. Games & Stuff

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[Work In Progress]:

1. DJing: from “Listener to Universal Tastemaker”

2. Guitar: “String Theory”

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Music is for everyone.

So make sure you remove those muddy shoes by the door; seize and enjoy every healthy and bold new opportunity you encounter!—Be a person!

“If it weren’t for dancing: I would have never made music; if it weren’t for sound design: I would be genre hard-stuck; if I were, you never have to be.”

—Doom Dudash

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[DISCLAIMER]

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Spoiler Warning:
Yes—Here, the following may contain the occasional incidence, of: “Spoilers”…
(What was needed yesterday could be more fun left-out by tomorrow’s mourning, nevertheless, good morning!)

Browse-browse-bowser?!—NO, Star!!!
By clicking any external links on this website, you are officially leaving our cozy digital living room and stepping into the wild, untamed wilderness of the broader internet.

While we only link to cool, helpful, and interesting places, we don't own those websites, we don't sleep over at their houses, and we definitely don’t control what they do. Once you click away, you are subject to their rules, their cookies, and whatever weird fonts they decided to use.

If a third-party link takes you to a broken page, a questionable conspiracy theory forum, or an endless loop of dancing cat videos, we cannot be held responsible (though we do highly recommend the cat videos). Browse safely, pack a snack, and remember to look both ways before crossing the digital street!

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For further information, please see our terms and conditions (if you’re directly looking third-party links)

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Singing Resources

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(Source: https://howtosingsmarter.com)

Solfège (Latin/Romance) System: in the Fixed Do solfège system—Do equals C, Re equals D, and Mi equals E —

- Alphabetical (English) System: uses letters: A, B, C, D, E, F, G;

- German System: uses letters like the English system, but replaces B-natural with H and B-flat with B;

- Sargam (Indian Classical) System: Uses syllables Sa, Re, Ga, Ma, Pa, Dha, Ni.

There’s still more if you do your own research using the words “speech pathology” and “consonants”; there are primary and secondary consonants that can be “layered together.”

(Source: https://literacylearn.com)

—Riffs & Runs: A E I O U; do every vowel, play it multiple times—

Try to make a warm-up and cool-down routine if you’re really going at it!

Not the same as a throat lozenge:

Here’s a reddit post about “vocal steamers vs nebulizers”: https://www.reddit.com/r/singing/comments/1jkym0h/vocal_steamers_vs_nebulizers/ (read up somewhere else on how to clean your stuff; seriously, learn to clean).

—[u/L2Sing]: “Steamers are generally recommended for singers.”:

“Nebulizers are generally used as a vehicle to deliver medication to the lungs.

They also require you to keep saline on hand, because you should not use water with a nebulizer.” (from reddit.com/user/L2Sing)

RESOURCES:

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Videos

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Videos:

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— Quick Tip —

CHEAT SHEET:

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Brain & Dexterity

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Brain: Speech Synchronicity; & Dexterity: Keyboard Reversal

[Piano]: Try to learn how to walk through your major and minor chords first. Thus, you may use the spacing to easily walk through all keys and modes while: playing up then down, all 7 notes of your octave + the extra octaves (to further engrain the active recollection of tone-and-tune-to-muscle memory); spelling out to yourself the alphabetic-note—and/or, then, the solfège-note—that you are playing.

Furthermore, did you know that a lot of us learned to count better or best from playing the universal instrument we’ve called the piano?! Count your 3s your 5s your 7s and your +/- 2s!

A dragon once whispered to me that if I turned my piano around I would be able to accelerate my learning… Not by learning my songs backwards, but first and most patiently remaining wise to the process. Indeed I cannot afford a grand piano, so you won’t find me resting atop any such piano’s casing or rim. He must have meant a midi controller I believe… I can’t imagine doing this on an upright piano’s tall tail for a back (its backpost)…

Dexterity: Guitar Body, On Head And Stomach; & Brain: Vibrational Recognition

[Guitar]: I advise players to lay their guitar body along them as you play it laying down, perhaps in bed. With the guitar laying along your bust, with the fret placed on your forehead: guitar tuned, pick-n-strum individual strings “while spelling out to yourself the alphabetic-note—and/or, then, the solfège-note—that you are playing.”

As you let each strum resonate through your physical body, you’re encouraging your ears and body to recognise these pitches. This stimulus, is one to self-employ intelligently, as you wouldn’t want to become overly sensitive!

As you simultaneous hear and feel the alignment of each string’s tuned frequency and doppler: furthermore, notice the changing harmonic “screams” (@danisophia.official) or dynamics resulting along each pluck or strum. The distances that each strum’s pluck has on that very same tuning’s tension is capable, and especially notable—on an electric guitar—to harness the extent of any string-under-tension’s harmonics. You’ll get an AWESOME screaming sound out of your playing!

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RESOURCES:

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More Videos

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More Videos:

— None of this or these is sponsored content. —

 
 

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Piano & Midi: “The 'Plan'”

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(Source: https://piano-music-theory.com)

Clef: Treble; sharps & flats.

(Source: https://offtonic.com/theory/book/1-3.html)

101: “How to read sheet music.”

Treble & Bass Clef: The Musical Staff’s “spaces” finger-layout diagram; for their respective staff position and notes (noteheads, stems, & flag/beam; there are also Treble-treble or Bass-bass Clefs on staves):

Treble Clef (G Clef)—

- Lines (bottom to top): E – G – B – D – F (Every Good Boy Does Fine);

- Spaces (bottom to top): F – A – C – E (spells FACE).

Bass Clef (F Clef)—

- Lines (bottom to top): G – B – D – F – A (Good Bikes Don't Fall Apart);

- Spaces (bottom to top): A – C – E – G (All Cows Eat Grass).

(Source: https://musictheorymanual.com/nrt-tonnetz)

“Tonnetz”: German, for a tonal net (a chord network):

Where you’ll apply your order of sharps & flats (the order of “leading tones”)… use this to read a “circle of fifths”—

[Order of Sharps and Flats]:

F – C – G – D – A – E – B || B – E – A – D – G – C – F (it cycles, as Naturals then of Sharps or Flats; read the entire section).

—

Moving through the “order of sharps” goes up by perfect fifths; and,

Moving through the “order of flats” goes up by perfect fourths.

(Source: https://www.reddit.com/r/ukulele/comments/1jvnfzu/songwriting_tips)

Circle of Fifths: Organizes the 12 musical keys in a circle where each step is a distance of a perfect fifth; “diatonic chord degrees by position.”

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—Play aloud play with your headphones, today nevertheless record yourself because you can! We learn faster.—

“The piano is the ultimate architectural plan (piano) for Western music. It lays out a flat physical plane (piano) of keys where the levels (piani) of pitch are perfectly mapped out for the human ear” (because piano in Italian translates to plan or floor in English).

“il piano del terrazzo” <=> “the terrace floor”

=> [Noun]: A plan, a project, a design, a physical plane, or a floor/level of a building.

=> [Adjective]: Quietly, slowly, smoothly, or flat.

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CHEAT SHEET:

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Literature

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Tonnetz (by @mance_nk): “… this was really important in the 1800s especially to show what they called harmonic dualism; where a minor chord was the reflection of the major chord.”

e.g.: C-Major Chord (simply called a C-Major): {C, E, G} ({Do, Mi, Sol})

Terminology: ~“Transformations (keeping 2 notes the same and moving just one) — P-transformation, for parallel transformation (if C-Major, then its E to an Eb is a C-Minor chord; “C-Major’s parallel minor”). R-transformation, for relative transformation (if C-Major, then its G to an A is a A-Minor chord; “C-Major’s relative minor”). L-transformation, for leading-tone transformation (if C-Major, then its C to a B is a E-Minor chord; “C-Major’s leading tone”).”

  • Hugo Riemann (1849-1919; German musicologist and composer):

    • Formally speaking, today, if you are to use the word exchange instead of transformation, only one begets the term exchange. As it appears, it’s only the leading tone; called Leittonwechsel. My hypothesis or extension would be to say that if you are going to employ all 2 of these rooted Modulations, call it an exchange (where one is strictly a modulation; “When a piece moves through different pools of 7 notes one after the other, it is called Modulation”):

      • “if you are to use the Neo-Riemannian theory (employing a dialect and terminology directly translated from Hugo Riemann), you must use the original German-derived terms to be academically correct: Leittonwechsel, Relativ, Parallel.

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CHEAT SHEET:

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Piano: Sight Reading & Hand-location Correspondences

(“To be seen and studied with the pictures too!”)

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Cheat Sheet—Starter-pack: [Part 1] - “Major/Minor”:

  • Piano chords: major and minor - YouTube (THUMB(LH-G||RH-C) – MIDDLE(E) – PINKY(LH-C||RH-G): you can walk through all the Major by maintaining that position; upon shifting your middle finger down a “half-step” you can walk through all the Minor chords. Know your Major progression and you Minor progression “whole-halves” to immediately recognise that you can play through all 7 notes from those positions)—-stay disciplined!

    • Diminished (vii°): shift Finger 3 AND Finger 5 down 1 half-step (C – Eb – Gb);

    • Augmented: shift Finger 5 up 1 half-step (C – E – G#).

Cheat Sheet—Starter-pack: [Part 2] - “Playing the Roman Numeral Chords (I to vii°)”:

—Where, in desired preparation for using a chart like the “Circle of Fifths”; best if you’re gravitating towards a Digital Audio Workstation (DAW)—

Take your root chord in “fixed Do”/C Major (C – E – G) and keep moving “those fingers” across the “white keys”, or up and along each scale degree (position of note in 7 note scale) of the C Major scale; at every next scale degree, its occurrences have their own name (see below) and each in of a chronological sequence will be your current or next Roman Numeral Chord (I - vii°)—

  • I (C Major): C – E – G. (Standard 1–3–5 major shape).

  • ii (D Minor): Move your whole hand up to D. Play D – F – A. (Automatically a minor shape on white keys).

  • iii (E Minor): Move your whole hand up to E. Play E – G – B. (White-key minor shape).

  • IV (F Major): Move your whole hand up to F. Play F – A – C. (White-key major shape).

  • V (G Major): Move your whole hand up to G. Play G – B – D. (White-key major shape).

  • vi (A Minor): Move your whole hand up to A. Play A – C – E. (White-key minor shape).

  • vii° (B Diminished): Move your whole hand up to B. Play B – D – F. Because F is a white key (instead of F♯), Finger 5 is naturally shifted down a half-step, giving you the diminished chord automatically.

RESOURCES:

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Videos; Tutorials, Make Your Own, Game

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Tutorials:

  • 10 beautiful piano pieces - YouTube (get an idea of midi visuals or of types; perhaps spread you wings).

  • Yiruma - River Flows in You - YouTube (a beautiful song to follow along to. Recognise your scales as you play iconic songs; at times, take a minute to notice when songs are strictly constructed with the expected 7 notes of a scale and when notes voyage beyond).

    • The original piece is written in A Major (which shares its key signature with F-sharp minor).

      The 7 Notes: The scale uses the notes A, B, C♯, D, E, F♯, and G♯ (it strictly uses one 7-note pool).

Make your own:

Browser/Webhosted Piano; sounds for Midi:

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What’s missing?—Tone Equal Temperment (TET), under the Equal Divison of the Octave (EDO)…

That’ll be for the Guitar section and “string theory” (see Tت。; and soon for guitar—Guitar: “String Theory”, ON THIS PAGE).

How fun!

This would also be the place to take our understanding of music and life/society or the universe: beyond!

There will also be a DJing section in homage of the transcendental reality that avid and extensive “AUXing”, playlisting, and tastemaking has provided us globally (DJing: from “Listener to Universal Tastemaker”).

We’ll come to see or know more about 12-EDO, 19-EDO, 31-EDO, and 53-EDO; someday!

— None of this or these is sponsored content. —

 
 

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[Music Production] Digital Audio Workstation (DAW)—Resources & Plugins

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Ableton Live 12—

Billie Eilish - Your Power (Ana Whiterose Cover; Doom Dudash Remix).

—Try a Digital Audio Workstation, but beware of temptations that comes with prerecording. It’s also a must; prerecord: practice!—-

RESOURCES:

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Software, Networking, DJing/Stem-extraction

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Digital Audio Workstations (music production; the software):

  • FL Studio (my first);

  • Ableton Live (my current);

  • [Mac Only]: Garageband (“offered”, on mac; mac only; midi-to-score included);

  • Pro Tools (by Avid);

  • [Mac Only]: Logic Pro (mac only);

  • Cubase;

  • Reaper;

  • Studio One;

  • Reason (my older sibling breifly attempted this one with DJ Paride Saraceni when we were young; check him out on Spotify!);

  • Bitwig Studio.

Networking:

Free Stem-extraction/DJing (remixing):

  • VirtualDJ - The #1 Most Popular DJ Software (this is where I started my first spins, in my dorm room; before my first DJ controller).

    • There is no more need to do it manually; which resulted in many artifacts or sibilance, yet one might discover that with patience, even careful attention to artifacts may guide. Resampling can make leads, voices, basses, chords, percussions—anything! Where attempted, exploration even void of mastery may impart with a divination.

“Purchase A Template” & Soundpacks:

Highly recommended to individuals learning music production’s the ins-and-outs; for tricks, stylings, and a genuine guaranteed hint at the sufficiently efficient and of good grace in professional formatting.

  • Cymatics.fm - The #1 Site For Samplepacks, Plugins & More!;

    • REMIX CONTEST, SOCIAL MEDIA NETWORKS; SECRET GROUPS, AND MORE BY MANY NOTABLE PROFESSIONALS!

      • This is where I began sharing almost every secret and technique I would ticker at (from my daily obsessive grind); replying to as many questions as possible as soon as they showed up across the groups and the various.

      • I really enjoyed their Signal Remix Contest (last edit: “March 8th, 2017”)—it was fun and their sounds are “p-adic” crisp!

  • Royalty Free Ableton Templates and Remakes by Abletunes.

    • Where I learned to compose one of my earliest master-chains; before Cymatics & Splice existed!

RESOURCES:

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Plug-ins

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Plug-ins:

—I’ll be sure to seek out more free content, but for now I’m applying as much of my math, physics, and experience to make music with as many stock plug-ins as possible (even though Ableton’s stock-plugins hardly feels like it—huge leap on Ableton Live 9 2013-’18 stretch alongside Andrew & Emma Simper, as Cytomic); but please come-back soon for updates (or join along with me and have a read at Andrew & Emma’s technical papers as I did; try “Trapezoidal Integrated Filters”, for binary-stepped square or sine time-continuous real-world smooth: it all has character | compare “Trapezoid” to Simpson’s rule on composite sums; a sum-approximation as to that which makes the definite integral from a to b); these were for me, “the grain of salt” which made “the marmite-soup” (… bad french). Yes, the courage to lool up on the dithering algorithms built into Ableton (POW-r 1, 2, 3). That’s the algo which finishes a perhaps desired polish to our tracks with choice of “contravarient” noise. Know to be patient with those)!

— None of this or these is sponsored content. —

 
 

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Games & Stuff

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RESOURCES:

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Fun & Productivity

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Typing:

Games:

Other:

— None of this or these is sponsored content. —

“How Games Shaped ‘Me’”:

An “OPPORTUNITY Forging & Ability Generating” Perspective

(for responsible responsible and Mature audiences)

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Below are some noteworthy games I played growing up. I played and would recommend them if some weren’t so old or discontinued:
I was among the lucky few that was given my own laptop at as early as 8-years-old, before consumer-grade cell-phones, and today I’m in my early 30s (last of the Gen-Y)…
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Spoiler Warning:
Yes—There, the following may contain the occasional incidence, of: “Spoilers”…
(What was needed yesterday could be more fun left-out by tomorrow’s mourning, nevertheless, good morning!)


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Cue-Conditioning

Play with intent & allow yourself to have fun!
Additionally, you might be a lucky few to feel a sense of immersion while you play.
Regardless, cue—I hope you seek and find growth in an ability to extend your “listen”: a capacity which allows oneself to remain dialed and present in “multiple spaces at a time”.
This takes experience and skill: concentration is expected and required, but life is too—sitting-in on your training and waiting for your renewed lively yearn.
It will exhaust you and it may be that which unfairly energizes you.

So,

Find your cues: game-set-match;

Adapt.

Honing a persistent key for the spatial duality: room & domain—expand!
Become so good that you are capable and ready to communicate.
Become so good that you don’t need to.
Become so good that you provide.
Balance.

*

AB-secret: “testing”

“Tit for tat”: was the name of a winning strategy—
Albeit, a lousy one.
Intention and miscalculation is like: “me running around without my glasses”…
If reading was tough, my eyes had to be tougher; I, most patient and cleverly simplifying—not panic & seek.

Search: as; it is an ever gifting chore.
Clean: as; it is an ever gifting decision making cascade.
Sort: as; it—might this be the full extent of our fundamental functions, ill appreciated?!
—Ill expressed, at least!

Some variety wins—

Courageously painstaking to:
Knowing how to try again; knowing when?
And how?

For, it: may,
Meet.

Correct.

Success!

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Observing: A Full “10-finger ‘keyboard’ [literacy]”…

“Games are especially useful, on computers these days, for their ability to propose literacy and much more!”

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MY GAMES LIST:

The following games contain several titles that are: M for Mature (17+) by the ESRB and PEGI 18 in many regions (including the UK)
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—[Some that were developmental]—

The Standing Exception — Guitar Hero (“my ‘music breakout’ franchise”, although it and Rock Band are much simpler than Rocksmith)

  • [Music] Guitar Hero, Rock Band, Rocksmith — Music; Timing & Coordination

  • [Life] The Sims Franchise — 3rd-person omniscience: Time Management & “Moodlets”; “Life”—duty (and “Time Coherence”: accruing an understanding for the passage-of-time; “Mood set…”, I mean c’mon, self-anticipation and management ++) (On PC)

Some that were developmental — with a full “10-finger ‘keyboard’ dependency” (games I got to play when I was typically older; besides Runescape & DarkThrone—the biggest challengers, whom, once offered impartial ease — for my needs — in Mathematics & the English language)

  • [MMORPG] Runescape — Counting and Inventory Management; Turn Based Logic (Computer);

  • [Text-based MMORPG] DarkThrone — Ease with Mathematics & the English language; creative thinking and imagination through the idea of contextual visual projection (it used to be a part of my mourning routine, as a pre-teen, alongside runescape on my 2002 IBM);

  • [MMORPG] World Of Warcraft, Guildwars 2, Final Fantasy XIV (Online) — Counting and Inventory Management; Turn Based Logic (Computer);

  • Others: Dark Age of Camelot, Maple Story, Flyff.

Some that were developmental — without a full “10-finger ‘keyboard’ dependency”

  • [Real Time Strategy (RTS)] Age of Empires — History and preference sculpting; accepting the times and overcoming adversity (“ne’re making the mistakes of the past again”)

  • [Action Adventure] Zelda Link’s Awakening, Zelda Ocarina of Time, Zelda

  • [Platforming and Action Adventure] Mario Games (Nintendo): Mario 64, Supermario Land (Handheld; Gamebody), Mario Sunshine, Mario Galaxy — Platforming for distances with timing; first successful physics engines

  • [Role Playing Game (RPG)] Pokemon — Turn Based Logic (Handheld)

  • [Party] Mario Party — Family Friendly

  • [Sports] Snowboard Kids, Tony Hawk’s Proskater, All-Star Baseball, NBA Hangtime, NBA Street (Volume 1, 2, …),

  • [Life] Sim City Franchise (Discontinued) — Life & 3rd Person or “God” Perspective of Life (On PC) (A wonder of this world, a marvel I got to play in Dominica when I was anywhere between 6 or 7 years old)

  • [Life] Spore (Discontinued) — Evolution; Completing: Life & 3rd Person or “God” Perspective of Life (On PC)

  • [Racing] Grand Turismo (Simulation), Need For Speed (Arcade; Turning), Mario Kart (Arcade), Ridge Racer 64, … — Combating Motion Blur (On PC or Console; I played on Console)

  • [Role Playing Game (RPG)] Fantasy Star Online 2 — Counting and Inventory Management; Turn Based Logic (Gamecube)

  • [Platform Fighter] Super Smash Bros, Mortal Combat, Tekken, Soul Caliber, Dead or Alive, Clay Fighters 64 — Button Sequences; Hitboxes & Basic Game Development Computing Logic

  • [First Person Shooters (FPS)] James Bond, Mission Impossible, Turok, Halo, Call of Duty Franchises — Hand Eye Coordination Focus; FPS — notably, games that do not contribute to total finger isolation fluency (without a full “10-finger keyboard dependency”)

—[Anecdotal]—

Caveat #1: “Some that were developmental” — Assisting in the “A Space-time Paradox of Universes & Timelines”

  • Runescape, Quest: “A Recepie For Disaster” (“Stopping time”—what does that actually imply?! Here and in reality?)

  • Zelda Majora’s Mask

  • Jet Set Radio Future

  • Fable Franchise (Personal Choices & Direct Consequences)

  • Halo Franchise (by abstraction of “Flood vs Matrix” Problems: introducing “a hive mind”, regardless of its truth)

  • Bioshock Infinite (Timelines)

  • Mass Effect (Utopias & Anthropological Convergence with DNA onto Machine at Machine & DNA: to commence a thinking on: “Space Archipelagos” & “Security & Surveillance” Solutions, War’s Obsolescence—a primitive natural occurrence)

  • Dishonored (Personal Choices & Direct Consequences)

  • World of Warcraft: Shadowlands (where they finally revealed their structure; among is the complexity and thorough fan-base resolved - a non revealed - complete venn-structure of their magics over the physical or natural)

Caveat #2: Abstraction on Shows as: “Some that were developmental” — Assisting in the “A Space-time Paradox of Universes & Timelines”

  • [A GENERALISAITON]: “Anime” > “Western Cartoons”: find the right ones, and you’ll notice that Japanese Cartoon Animations have taken THAT RISK that is defining us psychologically (one that other markets did not venture into with success)—notice this, respect it, and try to learn whatever good that you can. You’ll naturally have to do the brunt of the work… That’s always been the case (if you ever hope to “see” and “understand” naturally or “easily”: about learning in general).

  • [Lately]: Dragon Ball Z Super (for its explicit choice of multiverse and structure: Timelines > Universe > Locality (Planet or Frame of Reference)

  • Marvel’s Avengers

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Yes—phones and tablets are awesome:
If it isn’t what augmented reality could be or become, right now and from developments in computing and VR,
Phones and tablets are “the promo-code. Flip to Boogie, probe, and Rock to the Realest Ode!”
(from: “Doom Dudash - In The Cut—ft. The Remorseless Sultan a.k.a. Doom”)
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THE MOST UNDERATED MOVE, RIGHT NOW:
 Through the modality of visuals, haptics, speech, and writing: “language swapping” (and taking ones time to have tried “a favourite game” in another language) is currently THE MOST UNDERATED FEATURE move, coming from someone who’s an English and French speaking mother-and-father-tongue “native”. I used to read the back of cereal boxes; admittedly, there were fun “morning” distractions (to go with reruns of Ranma 1/2, in French; on AB1): plastic toys, stories, or jokes; and, not just “giveaway raffles” or “QR Code” goose-hunts. Right now, I should be trying German, Spanish, and Italian (in the least).

Example: Phone’s Language
Gaming makes this possible: as to one’s ease with navigating a familiar ecosystem. Hopefully you know one that doesn’t change too often, so that it may; curtailing symbols and locations where we can deduce from, the many and the familiar (that we already know) Taking the example of changing your phone’s language; even though updates sometimes decohere or bug. Phone aren’t necessarily “a game” and as your personal and portable “book of life”, a smartphone has become the home to this most neutral and modern opportunity, in such to this “MOST UNDERRATED MOVE, RIGHT NOW”!, and is certainly not a dissimilar in result.

However, please be warned: changing your phone’s system language is not ideal if you’re risking your time-management!

Heading for a night-out in a language you cannot fallback onto is a serious hazard—in case of emergency, and of the many precautions to have taken, domestically and internationally: emergency numbers and all of your least and necessary; of government issued-documentation, and the means for a way from, to, and back; of what we should know, or have known, readily, while traveling.

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Hoping, praying, wishing:
For some future’s successful resolution and its lenient ways: be it, geopolitical misfortune or as meagre as absent mindedness.
Although unrealistic — and this said, with sadness, sadly: — this idea of open-minded welcome, an irrationality beside reason/s of consequence or cause;
Nevertheless: a manner or a know-how, to assist or intervene calmly; and in the least, becoming, with a degree of fun regardless of a day’s (or night’s), week’s, month’s, year’s, or life’s spell.

Be Their’s or Theirs’:
Beware of your things and beware of theirs; never theirs’, as yours.
Care; and, beware.

Lost: be found!

Come rested. Come prepared.

Fave fun!
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“A Personal Few”: Extra words

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Blueprinting Gaming: “A Rant”
For Parents & The Curious
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The Citizen, The Recluse (or Unaffiliated), The Simpleton, The Urban(“-eer”), The Athlete, The Thinker, The Farmer, The Vet, The Doctor, The Nurse; Free Or Metropolitan: Know.

Paradigms in Battling; truths (some “sort of” creating our better or best).

How are games not “Education’s Lender of Last Resort”? That was easily 50’000-80’000 CHF ($60044.05-$96070.48; 1:1.2, 2026.11.11_15:15) in videogames, in my lifetime (to date). I can’t even disclose how much was spent on Sports and Education or school…

—“I used to read the back of cereal boxes; admittedly, there were fun “morning” distractions (to go with reruns of Ranma 1/2, in French; on AB1)”, and as gaming predicates surreal choice… you’d be wise to know that we become two completely different people depending on how we “mental” our everyday for ourselves.

So I’ll simply say:

Think not like a man or a woman; think for a man or a woman: man and woman, man and man, woman and woman.

So what do I mean concretely, in space where we get to prepare ourselves for ourself (or ourselves; not to be abused): if you’ve ceased the day, you will have had the opportunity or been reminded to “Think not like a man or a woman; think for a man or a woman”. Concerning the rest, irrespective of risks and an immature ecosystem of technologies that could someday allow for more than just a “sex-change”, then how is it not our duty to do more with our transformative minds?

I wrote a small joke to myself where “her potential marries combination; his potential marries is permutation”—in mockery of how “he” has “less to do”, nevertheless: a strong mind could still brave to blueprint for “male-1-2-3” and “female-1-2-3”.

 

Our truth,

After a long day at school, we didn’t have immediate access to a dictionary, thesaurus, or glossary:

A good student would know to take advantage of what opportunities their time could offer, but…
More importantly, a brilliant person would know to take advantage of what opportunities “their time” offers.

And, even where if it had been made so much more simple than anything we would have had to live, here on earth, in the centuries prior to the 21st—having to “run for a library” — we, more fortunate kids today — still had to actively pursue or oppose the many of any behavioural miscreances.
To maintain: the necessary diction or recollection, for and back unto from, our budding short-term memory; and, long-term memory—abstraction or expression; sound, phrase, word; some, not others, but everything.
Yet, requiring more, even with “NuAlexandria’s World Wide Web” and its “Mighty Search-engines”; we each, individually, would have needed “a presence of mind” or the potential and continued power of the innate and developing ability: to keep, true, that “Je ne sais quoi.”
If not, of least or most, the right opportunities or entourage. Especially the encouragement, time, and room to grow —


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This,

In and of, to a conceptual simplification that I am trying to carry forth into our Thesauruses, Glossaries, Dictionaries, and Encyclopedias (for us all):
“Abstraction; Clock; Computer; Person.”

Whether we are —
Babies, children, adults, or the elderly—we have ours; and to — you, I, or ours: — our:
Faith, idols, ego, pride, purpose, objective: religion/s, culture/s, tradition/s, proof, pride, obligation/s, habit/s; strength/s, weakness/es:
Our humanity.

Everyday,
We must endure, so that someday,
Ultimately: it may,
That
We are again and again.

(Cells, Autophagy… All the time. You didn’t forget did you?)
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Building habits, But Such Understanding Habits

Building habits and understanding your habits; for which, you might have to risk “Breaking the Habit” (from: “Linkin Park - Breaking the Habit”)

Where a user-interface provides, is ease familiarity or consistency?
Useful UI is replicable (universal?), repeatable and adaptable, but necessary UI is recognisable and consistent. Gaming, media, and human ambition has grown into our households and industry standards have us expecting—shaping our daily comforts and ironically imposing that professionalism begins to resemble modes of living at home, extending self-similarities from the home into all industries, jobs: comfort, an imperative for our human ideal, and it is possible as we continue to game ourselves outright, upright.

Gaming is recognised by some for having cultivated us so much more prepared. I am a firm believer that the “sandbox-space” or the “useful and explorable canvases” hidden within and made possible from the continued development of the gaming industry is a primary instrument of evolution beyond personal entertainment systems. What we’ve done with our technology should be known for having academic reputation akin to the computing concept “Turing completeness”: “Total Anthropological Facilitation” (for all possible races or species).

“Turing-complete (or computationally universal): if it can simulate a Universal Turing Machine and compute any function that can be computed algorithmically.”

That is, the science and the environment and the tools and the experience: is “total-anthropological-facilitative” by the time a “completed civilization” has converged over what is stochastically real, experimentally and factually most true (matter, space-time)—ergodically, “Eternity”, the “regardless” (outcome): the all-possible passible and imposing entropy over entropy; sustaining to a universally self-sufficient, sustaining, “dancing” (of a “mat” or navigable regions, “maximal”) — “The”, perhaps gladly, and currently unknown — utopian balance (person and persons — of some rate fluctuation or total — regardless of origin; salvaging, salvaged; total universal entropy: consequences pre-existing, and the consequential—all of what was and is; then, now, after).

A Sentiment

Games: on our collective development, as well as having guaranteed the development of persons with disabilities (and the able alike)—
In spite of many known behavioural drawbacks from its successful and unrivaled magnitudes of potential when well-adapted for our various, some obstacles are more than technological or physiology.

Unbridled success has differing outcomes unto and from:
We cannot ignore our limitations and the stages of our personal growth. Our personalities differ, our initial journey in growth and development begins with inheritance. Therefore, remind yourself that our responses and affinities still, and always, will be governed by timing (called “race conditions” in “computers & programming”) and resolute efficiencies. Efficiencies that are predetermined, or firmly determined, unwavering, and steadfast (efficiencies, ergodic).

We must contemplate what are our shortest-paths; we must contemplate. Be it your least or greatest efforts, we fight to become biologically efficient, compact and waste-less — strong and outlasting — we inevitably affirm a favouring which abusives shortest-“distances”: shortest-path. Gaming and survival’s competitive but inevitable time-attack imposes that we have built games which, too, attempt to innervate or high-jack our reward systems. Even to a presence of mind, inhibitory signals or an efficient inhibitory relay subsystem (some organ::TBD), we exist to it (or with it) as it ensures that we “clean up our behaviour”—your mutual-exclusive (mutex, in “computers & programming”) operator (or hub; organelle/s, axons, …); it (these): delays, blocks, multliplies, divides, adds, and differs (integrates or differentiates). Achieved, such organelles, axons (or subsystems), afford the travel of a signal or response to, first: ignore, accept; then, second: affect: allowing or redirecting. So much, having no need for further redirection competes for “signal, from noise”: made quickest (but not unique, nor necessarily desired), along shorter and shorter routes. Prepare, and ease your way and work in, incrementally (brave; correctly avoiding dis-servicing regions).

Communications, challenges, options, choices, experiences, and navigations—again, allows “Gaming” to be the passible “Total Anthropological Facilitation” experience—to this idea I may derive, elsewhere later “Total Anthropological Facilitation” as “total informational” as “Turing-complete”.

Compacting story-telling beyond viewership: yes. Complications and risks: no.
Who knows what the complication and penultimate risks human ambition will face, awkwardly: impacting human safety, human enjoyment; development or evolution. Knowing life and the complications it will face with codependency or assistive systems, our time is running out and a lot will certainly be excused, but in debate of what will be uncontested and how to prepare to avoid the complications contestations, ergo “person” or “persons”, we must ensure a logical discourse and we must ensure a logical follow-through: as we secure what is and can, while we ensure loophole and short-cuts are completely mitigated—and, afford the experience of life and birth in the same-felt purity we always have.

Curtailing privacy and expectation issues: gaming could propose equity mirroring equality and all the while continued activity during a long-mocked or avoided convergence on “what to do with eternity” we will simply call “journey”.

Sandboxes & simulations are namespace for: first-chances, second-chances, development, growth, planned-parenthood, simulation, birth, and a planned or affordable death.

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I, Doom Dudash —
Hope; to continue to provide sincere, accurate, and, hopefully, life-changing insights—blueprint, tips, tricks, and hints: for all of my visitors!

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