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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/38690b54-8d75-42dd-9ae8-19a54a6dd70d/Capture+d%27%C3%A9cran+2026-03-23+180426.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>“If it’s the same element: it cannot be recruited twice.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/9cadc4e4-3cd0-47b5-8be7-13d4448a0d88/%5BCorrection%5D_Capture+d%27%C3%A9cran+2026-03-23+182615.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>To logical connectives and conjunctions in English, these symbols would also hold (so I will teach you how) — (Where a paragraph or column ends punctuation rules, unless within the “en-jambes”. Here, using a space beside the em-dash, since I cannot or personally haven’t added to the Squarespace site, for the use of the en-dash here; whose final enclosure ends the continuation of the residing logical rule-set). ”And” is an inclusion, a multiplication or dot product, the one that intersects; “or” is an addition, while it too is specific: as it self-implies directionality or order (of A then B; from “A divides B”, by some factor “k”) while stepping down any given abstraction to the scope of the predicate created. Punctuation is similar but completes logic, within paragraphs (we will skip over the “aural mode” and “grammatical intricacy” — due to the need for “prosodic features”, like intonation, and sentence “dislocation”/”shadow pronouns” — of the likes of “lists and their commas”; as it is to the “oxford comma”. This parenthetical would be the “BODMAS debate of”; BODMAS (BODMAS: topology conscious; receptive to our human habits in pedagogy; valid for points in space too), PEMDAS (PEMDAS: division implies direction beyond associativity; direction provides for hierarchy, from order or succession) — order, directionality, and precedence, or redundancy, and of and/or —, at clause separation’s maximal permutability): Among statements, clauses, predicates, subjects: amongst, punctuation becomes—where: the full-stop is a dot product; “semi-colon” is the symmetric difference or cross-product (“Spiritus” or in addition with the spirit of: a useful association for when to implement it); “colon” is functional or of (relatively strict, even though we are entitled as the beholders of our choice of abstraction; “f(x)” or “The Lion King: Simba”)). Hyphens directly associate—dashes: modify the subsequent, leaving the focus on the latter or last; en-dashes: represent number scopes, and among could by electronically useful but are flawed when taken back to its predecessor, handwriting; em-dashes, “the long ones” (double hyphen): should be the manner to “en-jambes” but that, itself, should become as powerful as paragraphing, to the prior-stated, in-line. Parentheses, ironic—important and for any or all abstractions. Try not be the joke whose life is merely a parenthetical! “Mais ce n’est qu’une parenthèse!”—a respite; a break (whose final enclosure ends the continuation of the residing logical rule-set). (All of the world’s languages have yet to solidify their logical completeness… we have “abstractions” but what of “adstractions”?!—Ever seen the “orx”, because even this section is giving me “anx”!). (Don’t get me started on citations vs. quotations, whose only distinction is the parenthetical that follows. Could it resolve to—“*” [*] (*)—?). (So much for the styles and infinitely new synonyms we’ve been taught all these years. Nevertheless, that would merely be an expression of humanity expressing their linguistic choice of words and phrases over time to nestle truth while we debate our loss of tact or collective culture and tradition) —.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/4cecc228-cbf6-40d2-95fd-27553ca8b3bf/universal_example2.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>“If it’s the same element: it cannot be recruited twice.” (Source: https://mathgoodies.com/lessons/universal_set/)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/5e2d3b9d-2502-44f0-8f47-9fb63653633b/Venn3tab.svg.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>Venn diagram as a truth table demonstrating logical disjunction (“OR”) “If it’s the same element: it cannot be recruited twice.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/ad5f9d78-4fd2-4728-a435-65388073f27e/The_11_logical_relations_between_two_sets.svg.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>“If it’s the same element: it cannot be recruited twice.” (Source: https://en.wikipedia.org/wiki/Conceptual_space)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/ad39155b-baa0-4c93-baab-3e14fd122743/Capture+d%27%C3%A9cran+2026-03-25+121203.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>“If it’s the same element: it cannot be recruited twice.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/fc24b905-64a9-4df0-98f6-36448504d5b4/Capture+d%27%C3%A9cran+2026-03-25+110622.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>Rules of replacement: “If it’s the same element: it cannot be recruited twice.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/29d3b9a8-3b84-4578-989d-b5b2c053ff14/ChatGPT+Image+Apr+25%2C+2026%2C+06_18_09+PM.png</image:loc>
      <image:title>Tت。 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://doomdudash.com/creative-commons</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-07</lastmod>
  </url>
  <url>
    <loc>https://doomdudash.com/music-resources</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/7ec1b433-63d6-4716-97de-1a47241e3de2/Drisco%2C+Get+Busy+Stay+Dizzy.jpeg</image:loc>
      <image:title>Music: Resources</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/fa7e5182-a519-43d6-bb78-0f2b1b944338/solfegeguide.jpg</image:loc>
      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>(Source: https://howtosingsmarter.com) Solfège (Latin/Romance) System: in the Fixed Do solfège system—Do equals C, Re equals D, and Mi equals E — - Alphabetical (English) System: uses letters: A, B, C, D, E, F, G; - German System: uses letters like the English system, but replaces B-natural with H and B-flat with B; - Sargam (Indian Classical) System: Uses syllables Sa, Re, Ga, Ma, Pa, Dha, Ni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/9cd18d05-88ae-42f6-9f0e-6a9a02ed01c6/Vowels+-+AEIOU-chart_doomdudash.png</image:loc>
      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>There’s still more if you do your own research using the words “speech pathology” and “consonants”; there are primary and secondary consonants that can be “layered together.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/9342a61b-88a4-4193-a20c-c6750251cc82/Consonant-sounds-listed-graphic.jpg</image:loc>
      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>(Source: https://literacylearn.com)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57d213a2f7e0ab51452d1846/65048d01-a3be-4167-98db-53fe4685e86b/Minor-Major.jpeg</image:loc>
      <image:title>Music: Resources</image:title>
      <image:caption>(Source: https://piano-music-theory.com) Clef: Treble; sharps &amp; flats.</image:caption>
    </image:image>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>(Source: https://offtonic.com/theory/book/1-3.html) 101: “How to read sheet music.”</image:caption>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>Treble &amp; Bass Clef: The Musical Staff’s “spaces” finger-layout diagram; for their respective staff position and notes (noteheads, stems, &amp; flag/beam; there are also Treble-treble or Bass-bass Clefs on staves): Treble Clef (G Clef)— - Lines (bottom to top): E – G – B – D – F (Every Good Boy Does Fine); - Spaces (bottom to top): F – A – C – E (spells FACE). Bass Clef (F Clef)— - Lines (bottom to top): G – B – D – F – A (Good Bikes Don't Fall Apart); - Spaces (bottom to top): A – C – E – G (All Cows Eat Grass).</image:caption>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>(Source: https://musictheorymanual.com/nrt-tonnetz) “Tonnetz”: German, for a tonal net (a chord network): Where you’ll apply your order of sharps &amp; flats (the order of “leading tones”)… use this to read a “circle of fifths”— [Order of Sharps and Flats]: F – C – G – D – A – E – B || B – E – A – D – G – C – F (it cycles, as Naturals then of Sharps or Flats; read the entire section). — Moving through the “order of sharps” goes up by perfect fifths; and, Moving through the “order of flats” goes up by perfect fourths.</image:caption>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>(Source: https://www.reddit.com/r/ukulele/comments/1jvnfzu/songwriting_tips) Circle of Fifths: Organizes the 12 musical keys in a circle where each step is a distance of a perfect fifth; “diatonic chord degrees by position.”</image:caption>
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      <image:title>Music: Resources</image:title>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>Ableton Live 12— Billie Eilish - Your Power (Ana Whiterose Cover; Doom Dudash Remix).</image:caption>
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      <image:title>Music: Resources - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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